Kendra is the Knowledge Mobilization and Communication Officer for ACT. She works to amplify ACT’s research by finding and creating opportunities to communicate and share findings from the network. She also helps organize and facilitate community-based research initiatives and participatory learning opportunities. She’s been a key organizing member of ENoLL, Age 3.0 (2016, 2017), and various other intergenerational workshops and ACT events.
During the summer of 2014, Kendra worked as a research consultant for the Mediated Street Spaces project where she helped establish creative methods for thinking about accessibility and inclusivity of older adults in public space.
Kendra has a master’s degree (Media Studies) from Concordia University. She has previously taught communication and writing courses at McGill University and has worked in both municipal government and non-profit sectors.
Antonia Hernández is a graphic designer and and SSHRC-supported PhD student in Communication Studies at Concordia University. Mixing media practice and theoretical research, her interests involve the domestic side of digital networks. She is in charge of the graphic design and the website of ACT and its multiple projects.
Mariam Esseghaier is a student in the Joint PhD Program in Communication offered by Concordia University, l’Université de Montréal, and l’Université du Québec à Montréal. She completed a Master of Arts in English literature from Wilfrid Laurier University in 2008 and a Master of Arts in Popular Culture from Brock University in 2010. From January 2010 to May 2010, Mariam travelled to Tunisia, North Africa, where she studied Arabic and explored the country. Mariam’s area of research focuses on the commodification of Muslim women in Western popular culture, with an emphasis on the representation of young Muslim women.
Line Grenier is Associate Professor at the Département de communication at Université de Montréal in Montréal, Québec (Canada), and leads the Critical Mediations stream of ACT. Director of the research group Popular Culture, Knowledge and Critique (CPCC), she teaches predominantly in the areas of research methodologies, media theory, memory and media, and popular culture. A popular music studies scholar, her work on the history and politics of “chanson”, local music industries, broadcasting and cultural policies related to French-language vocal music, rites and processes of popularization and valorization in Québec, the Céline Dion phenomenon and the figures of fame and celebrity it embodies, as well as the business and politics of live music, especially on the role of small venues in Montreal, has been published in several journals, including Popular Music, Cultural Studies, Recherches féministes, Ethnomusicology, Recherches sociographiques, and Musicultures. Her research interests have recently focused on the intersections of ageing and music, and the cultures of ageing that take shape therein. Grenier has taken part in a team ethnography of a music contest for seniors, which examines the entanglements of musicking, ageing, and memory. She has studied discourses and public policies on “active ageing” in Québec, and the ways in which they inform how ageing is performed at different music events featuring older adults. Through an ongoing collaboration with a community partner, Grenier contributes to digital music workshops designed to explore, among other issues, how ‘old’ and ‘new’ technologies mediate music practices, and how music is experienced differently, throughout the life course. After having co-lead a participatory pilot project on ageing, deafhood and technologies, she is currently working with the same colleague on “deaf musics”. This pilot project aims at better understanding how ageing Deaf people access and experience music as a cultural practice today, and how they did so in the past.
Chui Yin Wong is Senior Lecturer in the Interface Design (ID) Department, Faculty of Creative Multimedia (FCM), Multimedia University (MMU) Malaysia. She also plays a role as an Industrial R&D Liaison for ID. Her research interests are interface design, usability, user experience, interaction design, user and design research, inclusive design, mobile technologies, and Human-Computer Interaction.
Chui Yin is the Malaysia country representative for IFIP TC13: Human-Computer Interaction. In addition, she also serves as the Editorial Board Member for International Journal of Human-Computer Interaction. Currently, she is leading a Special Interest Group (SIG) on Universal Usability and Interaction Design (UUID) at MMU.
In 2008, she was the conference secretary for Human Factors in Telecommunication (HFT2008). She has been serving as a Program Committee and/or reviewer for many journals and international conferences in these areas. Her previous project on ‘mobile social network application: MOM-i’, funded by Malaysian Multimedia Development Corporation (MDeC), won a Silver award under Multimedia category at an international exhibition ITEX 2009. Currently, she is leading several government and industry funded projects. Some of her current projects are ‘Usability of Mobile User Interface for Older Adults in Malaysia’, ‘Senior Grid: Portraying extraordinary lives’. She can be reached at email@example.com.
The aim of this documentary film-based research-creation project is to explore the processes of an elderly couple making the life-altering transition from their home into a retirement residence. This research-creation project poses a series of questions: What does ageing mean for elderly people living in rural Québec? How do they experience the transition from home to residency? Why are they moving? The film provides a small window into this predicament as a part of what it means to age, what creates a sense of home and how can we grow old together. Using a hybrid method approach, the project presents alternative images and narratives for understanding changes throughout the life course.“From Home to Residency” connects with specific experiences and lived realities to a larger social context, dominant discourses and perspectives about ageing to offer the audience insight into this particular moment in life. It challenges and situates the performance of reminiscence in the film, as not merely a return to the past, but as a way to move forward into the future from the position of the present.
L’objectif de mon projet de recherche-création est d’explorer, via la production d’un film documentaire, le processus de déménagement d’un couple d’aîné-es quittant leur maison pour aller habiter dans une résidence pour personnes âgées, dans la région du Saguenay-Lac-St-Jean. Ce projet pose une série de questions générales: Comment ce couple d’aîné-es appréhende-t-il cette transition? Quelles sont les raisons d’un déménagement en résidence? Qu’est-ce que vieillir signifie pour ce couple, à cette étape particulière du parcours de vie? Sans tenter d’offrir une réponse définitive à ce questionnement, Un départ vers la résidence tente d’explorer la manière dont on peut comprendre le vieillissement, le sens du chez-soi ainsi qu’un «vieillir ensemble». Adoptant une méthodologie hybride, le projet tente d’explorer certaines histoires alternatives re/présentées chez ce couple d’aîné-es, à travers leur parcours de vie. Cette recherche-création propose donc une réflexion basée sur les expériences vécues du couple pour mieux comprendre une certaine réalité du vieillissement et savoir s’il est possible de s’éloigner de la perspective réductionniste et pessimiste que cette transition suggère. Finalement, mon intention est de voir comment la production documentaire peut offrir à différents auditoires un regard sur ce moment particulier dans la vie d’un couple d’aîné-es ancré dans le présent et tourné vers le futur.
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Dans la foulée du lancement de la première politique publique sur le vieillissement au Québec en mai 2012, intitulée Vieillir et vivre ensemble. Chez soi, dans sa communauté, au Québec ce projet vise à produire une réflexion critique sur les façons dont le vieillissement est posé comme défi collectif et projet politique. À partir d’une étude de cette politique, de même que de sa résonance dans les médias et sur le web (à partir des documents publiés à la fois en français, en anglais et en espagnol), Il s’agit de tenter de comprendre le discours social sur le vieillissement tel qu’il est notamment produit par des institutions publiques, des groupes communautaires et des associations parapubliques.
Chronologie du projet
Analyses préliminaires descriptives de la politique publique Vieillir et vivre ensemble par Fannie Valois-Nadeau et de sa réception médiatique par Alvaro Herrera.
Participation de Line Grenier et Fannie Valois-Nadeau au premier colloque Vieillir c’est vivre. Le vieillissement comme vous ne l’avez jamais vu de l’Association québécoise des établissements de santé et de services sociaux (AQESSS), Montréal, Québec.
[su_column size=”1/3″ last=”1″]Researchers: Fannie Valois-Nadeau and Alvaro Herrera
This project is funded by Partnership Development Grants SSHRC
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Ageing and/as Enduring: Discussing with “Turtles [that] don’t die of old age”
“Turtles do not die of old age” (Films de la tortue, 2010, www.turtlefilms.com) is a documentary film that examines the everyday life of three elderly men in northern Morocco: Chehma, a former fisherman, Erradi a solitary innkeeper, and Abdesslam, a travelling musician. The film’s producers, Hind Benchekroun and Sami Mermer give voice to these men as they slowly go about their activities, reflecting on life, death, and ageing. They don’t do so by simply standing behind the camera to film these subjects and to record their testimonies. As 24 Images critic Serge Abiaad (2011) argues, they film “with” the participants.
Adopting a similar approach, this paper discusses “with” the film, rather than merely talking about the film and its producers. Entering into dialogue with the film, I explore some of the issues surrounding ageing and “old age”. How does the capacity of the film as cultural product and fragment of public discourse, bring these to the fore? More specifically, I explore the performativity of different media, objects and technologies in the life of the film’s three protagonists. The latter, I suggest, are instrumental to the ways in which these men establish, modify, and maintain various forms of connection to their world, their families, their home, and their work. Through these media and the iterative social relations they make possible these men, and their practices, endure. Following Isabelle Stengers (2005:48, 44), I consider endurance as the achievement of that which, through its adventures, “goes on mattering,” thereby “succeed[ing] in maintaining some thread of conformity between past and present”.
Chronologie du projet
Présentation par Line Grenier, Ageing and/as Enduring: A Discussion with Turtles [that] do not die of old age, Canadian Communication Association (CCA), Laurier University, Waterloo (Ont.).
Rédaction par Line Grenier “Ageing and/as Enduring: A Discussion with Turtles [that] do not die of old age” TEM2012, Online edition of the proceedings of the Technology and Emerging Media division of the Canadian Communication Association.
[su_column size=”1/3″ last=”1″]Researcher: Line Grenier
This project is funded by Partnership Development Grants SSHRC