The Communication Networks & Social Change Research Group (CN&SC) and Aging2.0 in Barcelona is pleased to invite you to an open lecture offered by Prof. Feliciano Villar, member of the Faculty of Psychology at the University of Barcelona and coordinator of the Research in Gerontology Group (GIG). The talk will take place at IN3 at the Open University of Catalonia in Castelldefels on October 14. The public talk is co-sponsored by ACT and will coincide with the first day of the annual ACT meeting, also to be held at IN3. For more information about the talk, including abstract and bio, please consult the website.
In the Aging, Communication and Technology seminar (Ageing with Technology: “Digitally Ageing/Digital Ageism”), professors Dr. Kim Sawchuk, Dr. Line Grenier and Dr. Stephen Katz led my classmates and I through interdisciplinary approach which considers the “art of ageing” in connection to computer-mediated communications and networked societies.
It’s not too late to apply! The deadline for the Music, Ageing, Technology Symposium at the University of Eastern Finland has been extended to February 29th, 2016.
In May 2016, the University of Eastern Finland, the Finnish Society for Ethnosicology, and Concordia’s Ageing, Communication, Technologies project (ACT), will bring together researchers from music studies and various other disciplines in order to discuss music in relation to ageing and technology. The Music, Ageing, Technology Symposium will be held in the Joensuu campus of the University of Eastern Finland, from May 11th to 13th, 2016.
Participants of the symposium will look at all genres of music and ageing, often in the context of modern communication technology. The symposium hopes to offer multilayered and critical perspectives on the crosscuttings of digital technologies and ageing in relation to music studies and to explore how these approaches relate to other research traditions. The theme is closely linked to the University of Eastern Finland’s current research orientations surrounding human sciences and technology.
Possible topics for proposals include, but are not limited to, the following themes:
· Music, musicians, and everyday ageing
· Theoretical and methodological ear points on research into music, ageing, technology
· Music genres and ageing
· Perspectives on historical research on ageing and music
· Sounds of generations and musical heritage
· Music, soundscape, memory
· Age, technology and music education
· Well-being, age, and music
· Other themes from all fields of music research
Organisers invite potential participants to submit proposals for oral presentations (maximum length 20 minutes), panel sessions, and poster presentations. Proposals can be strictly or indirectly related to the theme of the symposium. It is also possible to propose presentations that are entirely outside the theme. Presentations can be given in Finnish, Swedish or English.
Abstracts for the symposium should be submitted by February 29, 2016 using the online submission system. All accepted abstracts will be announced on March 21, 2016.
The online submission system and the web page of the symposium can be found at http://joensuusymposium2016.blogspot.fi/
Dr. Crow was appointed Dean of Arts and Science (Queen’s University) in July 2017. She is responsible for overseeing the overall operations of the Faculty of Arts and Science, including developing and supporting the Faculty’s long- and short-term goals, policies, fundraising efforts, strategic initiatives and academic priorities. Dr. Crow provides leadership to the Associate Deans and Senior Leadership Team of Arts and Science while guiding the Faculty’s growth and development. Reporting to the Provost, the Dean ensures that initiatives within the Faculty of Arts and Science are in alignment with the university’s strategic goals and objectives. Dr. Crow’s research interests lie in the areas of feminism, aging, and technology, the ways in which they intersect, and specifically the various impacts of digital technology. In addition to her research, Dr. Crow is a co-founder of the Mobile Media Lab and of Wi: A journal of Mobile Media. She is also currently a co-principal investigator on the ACT Project (Ageing, Communication, and Technologies). Learn more about Dr. Crow’s research here. Prior to joining Queen’s, Dr. Crow was the Associate Vice-President and Dean of the Faculty of Graduate Studies at York University. She holds a BAH in Political Science and Women’s Studies, and an MA and PhD in sociology.
Dr. Crow was appointed Dean of Arts and Science (Queen’s University) in July 2017. She is responsible for overseeing the overall operations of the Faculty of Arts and Science, including developing and supporting the Faculty’s long- and short-term goals, policies, fundraising efforts, strategic initiatives and academic priorities. Dr. Crow provides leadership to the Associate Deans and Senior Leadership Team of Arts and Science while guiding the Faculty’s growth and development. Reporting to the Provost, the Dean ensures that initiatives within the Faculty of Arts and Science are in alignment with the university’s strategic goals and objectives.
Dr. Crow’s research interests lie in the areas of feminism, aging, and technology, the ways in which they intersect, and specifically the various impacts of digital technology. In addition to her research, Dr. Crow is a co-founder of the Mobile Media Lab and of Wi: A journal of Mobile Media. She is also currently a co-principal investigator on the ACT Project (Ageing, Communication, and Technologies). Learn more about Dr. Crow’s research here.
Prior to joining Queen’s, Dr. Crow was the Associate Vice-President and Dean of the Faculty of Graduate Studies at York University. She holds a BAH in Political Science and Women’s Studies, and an MA and PhD in sociology.
Dr. Fannie Valois-Nadeau is a postdoctoral researcher co-supervised by Professor Kim Sawchuk at Concordia University and Professor Samantha King at Queen’s University. Her postdoctoral research explores the articulations between active ageing discourses, the culture of philanthropy and “retromarketing” practices within the Canadiens Alumni Association. Her work is part of a critical reflection about ageing in public and the political context of ageing in Quebec. Her research interests are situated in cultural studies, memory studies, ageing studies and sport studies. She is currently student rep for the ACT network.
After a MA and a BA in Sociology at the Université du Québec à Montréal (UQAM), Dr. Fannie Valois-Nadeau has completed her PhD in the Joint Program in Communication at Université de Montréal (UdM). Under the supervision of Dr. Line Grenier, her doctoral dissertation explores the centennial anniversary of the Montreal Canadien hockey team and proposes a communicational approach to “doing memory”. This project has brought into light the valorization of intergenerational relations in the Montreal Canadien discourse and produces a critical reflection on its commodification and its political implication.
As a research assistant, Fannie Valois-Nadeau participated the collaborative ethnography regarding the musical contest “Étoile des Aînés” directed by Dr. Line Grenier. The article “‘Vous êtes tous des gagnants.’ ‘Étoile des aînés’ et le vieillissement réussi au Québec” is the first to have come out of this collaboration.
In addition to her participation in the ACT network, she is also member of the Lab Culture Populaire Connaissance Critique (CPCC) and of the King research group.
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Prof. dr. Eugène Loos (born in 1963 in Herwijnen, the Netherlands) is a Professor of Old and New Media in an Ageing Society in the Department of Communication Science at the University of Amsterdam. He is also a Senior Lecturer of Communication, Policy and Management Studies at the Utrecht School of Governance (USG), Utrecht University in the Netherlands. He is a member of the Dutch research schools ASCoR (Amsterdam School of Communication Research) and the Netherlands Institute of Government (NIG). As a linguist, he has conducted research and written several books, book chapters and journal articles in the field of organizational (intercultural) organization and the use of new media.
Currently he investigates the (ir)relevance of age for: (1) senior citizens’ digital information search behaviour, (2) their identification with images, (3) the impact of visual and textual signs in digital health information on their cognition and affection, (4) the use of digital (sport) games for their physical, mental and social wellbeing, and (5) intergenerational digital gaming for their societal inclusion.
He is an international expert on inclusive website design and encouraging online participation in the face of a range of physical and life stage challenges. His extensive contribution to the field of accessible (digital) information delivery for senior citizens include Generational Use of New Media (published by Ashgate August 2012, co-edited by Haddon and Mante-Meijer),New Media Technologies and User Empowerment (Peter Lang 2011, co-edited by Pierson and Mante-Meijer) and The Social Dynamics of Information and Communication Technology (Ashgate 2008, co-edited by Haddon and Mante-Meijer).He also published several chapters and other refereed (inter)national publications.
In July 2017 he launched the Intergenerational Gaming Platform. More information about this Platform and the bi-annual IGP Newsletter? Please send an email to: firstname.lastname@example.org
Catherine Middleton, B. A. (Queen’s), MBA ( Bond University, Australia), Ph. D. (York). Dr. Middleton held a Canada Research Chair in Communication Technologies in the Information Society from 2007 – 2017. In 2017-2018 she is a MITACS Canadian Science Policy at the Canadian Radio-television and Telecommunications Commission (CRTC, Canada’s communications regulator). She was named to the inaugural cohort of the Royal Society of Canada’s College of New Scholars, Artists and Scientists in 2014. Her research focuses on digital inclusion, identifying and assessing policies and practices that enable people to get access to the communications technologies that are central to everyday life. She is also interested in how Canadians use (or don’t use) the Internet and mobile devices, and in understanding ways to advance individuals’ capacities to use communications technologies to engage in society.
Dr. Middleton’s research has been funded by SSHRC, Infrastructure Canada, Institute for a Broadband-Enabled Society, Statistics Canada and Ryerson University. Her research projects have investigated the use of ubiquitous communication technologies in organizations, the development of next generation broadband networks (including Australia’s National Broadband Network), competition in the Canadian broadband market, and Canadians’ Internet use. She was the Principal Investigator for the Community Wireless Infrastructure Research Project, is a member of the Public WiFi in Australia research team and is the Co-Investigator on the Canadian Spectrum Policy Research Project.
Dr. Middleton was a “Big Thinking” speaker in 2010, offering insights to Canadian parliamentarians about what is needed to develop a digital society for all Canadians and gave testimony to the House of Commons Standing Committee on Industry, Science and Technology Study of Broadband and Internet Access Across Canada in 2013. Her 2016 Big Thinking lecture, delivered to the Royal Society of Canada, addressed the challenges of digital inclusion in Canada.
Mireia Fernández-Ardèvol is a senior researcher at the IN3, the Internet Interdisciplinary Institute (UOC, Open University of Catalonia) where she serves as Co-director of the Research Group “Communication Networks and Social Change ”.
Her main research interest is the analysis of the socio-economic effects of the (mobile) digital communication in our hyper-connected societies. Her interests are set both in developed and in developing countries. In the area of mobile communication and ageing, projects include “A-C-M: Ageing and Mobile Technologies: research methodologies, systemic biases and access to Communications” (2011-2014, SSHRC ref. 890-2010-0138), “Ageism: A multi-national, interdisciplinary perspective” (2014-2018, ref. COST Action IS1402), and “BCONNECT@HOME: Being Connected” at Home – Making use of digital devices in later life” (2018-2021, ref. PCIN-2017-080). Her publications include articles in high-impact journals (New Media & Society, Media, Culture & Society, or Nordicom Review) and books or book chapters in prestigious publishers (Routledge or MIT press), some of them co-authored with members of the ACT project.
Cette thèse de doctorat, intitulée Les pratiques de mémoire autour du Canadien de Montréal, interroge les pratiques de mémoire hétérogènes qui ont émergé autour de l’équipe de hockey du Canadien de Montréal dans le cadre du centenaire de l’équipe en 2009. Elle a le double objectif 1) d’apporter un éclairage théorique singulier sur l’objet « mémoire » et 2) de développer une analyse conjoncturelle de ces pratiques, dans la mesure où elles articulent des enjeux propres au contexte québécois. La thèse repose sur une analyse d’archives (articles de journaux, notes d’observation, interviews, des publireportages etc.), sur une entrevue réalisée avec un ancien joueur de l’équipe, Léo Gravelle, et la visite des installations publiques produites par l’organisation du Canadien, telles le musée du Temple de la renommée, les patinoires extérieures et la Tour du Canadien. Le but est de questionner les différentes manières dont la mémoire est pratiquée, entre autres par la numérisation/diffusion d’archives personnelles sur internet, les divers modes d’incarnation de la mémoire dans des objets, mais aussi des pratiques de patrimonialisation et de commémoration. À travers les différentes manières dont se matérialisent la mémoire, il s’agit d’examiner ses effets au sein des relations sociales, autant intimes que publiques, mais aussi les façons dont elles ont articulé divers enjeux, liés par exemple au vieillissement dans la culture populaire et à la spectacularisation des villes. Cette thèse est l’occasion de développer une approche communicationnelle de la mémoire au croisement des études culturelles, où l’intérêt est porté sur les façons dont elle se réalise et non sur ce qu’elle est supposée contenir et représenter.
Université de Montréal